Tuesday, February 8, 2011

Hey! Do you play guitar?


Here's a chance to be on stage, get paid, and still not have to "act":

Seeking great guitar player 21-30 for onstage band in the rock musical "F#*king Up Everything", which will be performed this summer at Woolly Mammoth from July 15 - Aug 14. Rehearsals begin June 24.

Guitar Player character has no lines, just needs to look cool and play great. Non-equity. Paid.

Send picture, resume, and mp3s to wowamilucky@yahoo.com.

Look forward to hearing from you,

Charlie Fink
Producing Artistic Director
http://newmusicalfoundation.org

Bernard sez: I can vouch for Charlie Fink. He's a good guy, and the show should be interesting. Plus you can't beat that title.

Sunday, February 6, 2011

From "The Scotsman"

A newspaper in Scotland offers this report which may provide another context for Black Watch:

Police report massive rise in Scottish gay hate crime

Published Date: 06 February 2011
By Ben Archibald

HATE crimes against homosexuals in Scotland have risen almost fivefold in the past five years, shock new statistics have revealed.The statistics - gathered by a freedom of information request to Scotland's eight police forces - show a disturbing rise in reports of violent attacks, indecent assaults, abuse and vandalism against people targeted just because of their sexual orientation.

Figures show there were 666 incidents of homophobic abuse in 2009-10, almost double the 364 incidents reported in 2007-8, and almost five times the 114 incidents reported in 2004-5.

In Strathclyde, reported incidents have risen from 50 in 2004-5 to 286 last year, while in the Lothian and Borders area there was a rise from 45 to 167 over the same period.

Rights organisation Stonewall Scotland revealed that two thirds of lesbian, gay, bisexual and transgender (LGBT) people had been verbally abused in the past year, while a third had been physically attacked. The overall number of incidents is likely to be much higher as Stonewall said 61 per cent of victims did not report the crime to police.

The freedom of information statistics show that homosexuals have been abused or assaulted in their own homes, while eating in a restaurant, on public transport and while on a night out.

In one case, in the Central Scotland area, a lesbian and gay centre was set alight.

After a Stonewall Scotland campaign, police have been required to separately report incidents since March 2010.

However, the FoI figures pre-date the new laws. Carl Watt, director of Stonewall Scotland, said: Over a quarter of the people attacked told us they accept abuse and attacks as part of being LGBT in Scotland.

"Having said that we have a strong message from our police forces that crimes committed against people simply because of their sexual orientation or gender identity will not be tolerated."

Ian Latimer, chief constable of Northern Constabulary and spokesman on diversity for the Association of Chief Police Officers Scotland, said: "Hate crime in any form is unacceptable."

And a Scottish Government spokesman added: "There is no room for complacency in this fight."

Thursday, February 3, 2011

Molotov Update

Coincidentally, I just received this press release today. For Guignol fans only:

Molotov Theatre Group Premieres “Morgue Story” in US
Brazil’s Underground Grand Guignol Film Favorite Brought To Stage In English

Washington, DC (February 4, 2011) Molotov Theatre Group, America’s second-oldest Grand Guignol theatre, is proud to present the English language, US premiere stage adaptation of the Brazilian underground film hit “Morgue Story,” from March 3 through April 2, 2011 at 1409 Playbill CafĂ© (1409 14th Street NW, Washington, DC).

Showtimes are Wednesday through Sunday evenings at 8 PM. Tickets are available at the door for $20, or through the Molotov Theater Group Web site (www.molotovtheatre.org).

The cast of “Blood, Sweat & Fears” includes Luke Cieslewicz, Kevin Finkelstein, Dave Gamble, Genevieve James, Heather Whitpan and Alex Zavistovich.

“Morgue Story: Sangue, Baiacu e Quadrinhos” (“Morgue Story: Blood, Blowfish, and Comics”) is the latest production from Molotov Theatre Group, which won “Best Comedy” in 2007 and “Best Overall” n 2008 in the Capital Fringe Festival. The script for Morgue Story was adapted from the original screenplay by its author, Paulo Biscaia Filho, artistic director of Vigor Mortis, Brazil’s celebrated Grand Guignol-inspired theatre company. Filho also is a Professor in the Faculdade de Artes de Parana in Curitiba, Brazil.

In the script, a famous comic book artist, frustrated with her personal relationships, meets two weird men with equally weird lives. One is a perverted sociopathic coroner; the other is a chronically cataleptic insurance agent. They could only meet in one place: The morgue. (For more information on the film version of this production, see www.imdb.com/title/tt1358996.)

"I am really excited to see this first international production of Morgue Story,” said author Filho. “Molotov has all the humor and the right guts to make this the most fun play around."

Molotov’s Producing Artistic Director Lucas Maloney, who directed the group’s award-winning productions, takes the reins again for “Morgue Story.”

“This is an insanely dark comedy horror play that taps the limits of what even we at Molotov are capable of doing,” Maloney said. “I imagine most people will have never seen anything like this on stage. You’ll definitely need your plastic ponchos for this show.”

“Morgue Story” runs approximately 60 minutes with no intermission.

Children will NOT be admitted under any conditions. Adult content includes nudity, profanity, and graphic depictions of murder, suicide and sexual violence. And one very hairy man with his shirt off.

NOT RECOMMENDED FOR THE EMOTIONALLY OR PSYCHOLOGICALLY IMPRESSIONABLE OR FOR PEOPLE WITH CARDIAC OR NERVOUS CONDITIONS.

STRONGLY RECOMMENDED FOR COUNTER-CULTURAL, UNDERGROUND AND CULT FANS WITH PROPERLY WORKING HEART AND CENTRAL NERVOUS SYSTEMS.

Tuesday, February 1, 2011

From today's Washington Post:

Anna Deavere Smith and HHS Secretary Kathleen Sebelius talk healthcare and booze

By The Reliable Source

Anna Deavere Smith chats with HHS Secretary Kathleen Sebelius, 2011. (HHS photo by Chris Smith)
Here's something to make your lunch break a little more interesting: a performance by Anna Deavere Smith in the lobby of your office building.
Standing on a makeshift stage at the Independence Avenue headquarters of the Department of Health and Human Services on Monday afternoon, the acclaimed actress/playwright performed excerpts of her one-woman show, "Let Me Down Easy," for about 200 employees and health experts (including Surgeon General Regina Benjamin), followed by a brief discussion on health care with Secretary Kathleen Sebelius.
"To say that the debate in this country has been volatile may be an understatement," said Sebelius.
"I think it's volatile everywhere," responded Smith.
Which makes it a perfect subject for the 60-year-old actress -- A-list provocateur, MacArthur "genius grant" recipient, professor and activist -- who's taking her look at health care (based on 300 interviews from doctors, patients and workers on three continents) beyond the confines of the theater. Plenty of VIPs (Sebelius, Rep. Nancy Pelosi, Attorney General Eric Holder, Justices Ruth Bader Ginsburg and Elena Kagan) have been to Arena Stage to see her perform, but Smith is also reaching into the community -- to HHS, National Institutes of Health, meetings with Hill staffers and policy experts -- to drum up even more debate on the hot-button issue.
After Smith's 30-minute performance and a standing ovation from the crowd, Sebelius played talk-show host to Smith, asking her to share the origins of the play, what she learned putting it together and the reactions in different parts of the country.
"You have the best questions," Smith praised her.
"No answers," quipped Sebelius dryly. "Lots of questions."
There was, Smith told her, one interesting difference between New York and D.C. audiences over a doctor's line about people who cope with tough issues using alcohol.
"New Yorkers didn't think that was funny," observed Smith. "In Washington, they think that's very funny. Do you all drink more?" The audience broke out in laughter.
"More than what?" asked Sebelius with a grin. "You would too, if you lived in Washington."

Monday, January 31, 2011

Peter Marks reviews "Black Watch" in The Washington Post


Peter Marks' review today agrees with the unanimous praise for this production:

By the end of 110 remarkable minutes in Shakespeare Theatre Company's Sidney Harman Hall, I was in tears, moved as much by the enthralling stagecraft as by the virile commitment of the superb, 10-man cast. Director John Tiffany, assisted by experts in movement (Steven Hoggett) and music (Davey Anderson), creates astonishing tableaux, whether depicting warriors in meticulous formation or in the simple act of reading letters from home.

To pass up "Black Watch"- which runs only through Sunday - is to deprive yourself of the theater's most ingenious portrait to date of the war in Iraq and of modern warfare in general.


Find the whole review here.

Sunday, January 30, 2011

Grand Guignol at Molotov Theatre

 Grand Guignol is a strange and wonderful form of performance originating in France in the 1800s (some people say in response to the bloodlust aroused by the French Revolution and Napoleonic Wars). The pleasure in this form of theater comes from outrageous special effects simulating hanging, stabbing, disemboweling, decapitation, and other forms of bloodletting. (In 19th-century France, the violence was often committed upon the person of a beautiful young woman in the course of her utter ruination.) So: kind of like Saw, or Hostel, or Friday the 13th but live onstage.
As you might imagine, one of the conventions of this form of theater is the provision to the audience of special cloaks, to protect them from the gouts of stage blood that will spew from the stage.

DC has one Grand-Guignol theater, Molotov Theatre Company. Looks like they will be opening their next production March 4: Morgue Story, described thus:  A comic book writer and narcoleptic insurance salesman have a date they’ll never forget when they wake up in a morgue with a deranged coroner.

Meanwhile, here's a hilarious excerpt from their weblog, mercilessly ridiculing an audience member who had the temerity to object to being soaked with stage blood:


Brought to you from the desk of Lucas Maloney, Molotov Theatre Group Artistic Director
So we got this email from a less than satisfied customer after one of the performances of our most recent show, The Horrors of Online Dating. By the way, this was the only written complaint that we received for the entirely sold out run. I am posting it with my own editorial comments (found in parenthesis) for your amusement. I have only deleted text concerning identifiers to protect the idiotic and innocent. Everything else here was written by an actual person who lives somewhere nearby…maybe in your own neighborhood! MWAHAHAHAHAHA!
————————————————————————————————————————————————————————————
Let me preface this email by saying that I’m not typically the type to complain about petty little things and especially to write a “formal” complaint in an email like this about something. I tend to be the sort of person who tries to not sweat the small stuff and easily let things go (The first thought I have about a random person when a novella-sized email from him lands in my inbox.).  HOWEVER…I can’t shake this complaint and feel it needs to be voiced….so here I am at after 4am in the morning, still pretty pissed off…and I just need to get this off my chest. (Fasten your seatbelts my dear droogies.)
I attended tonight’s 8pm production of “The Horrors or (sic) Online Dating”.  (He has a tough time with two letter words.) Upon receiving my ticket I was also handed a plastic “cover”, a gargabe (I guess his spell check was tuckered out at 4AM too.) bag material with a hole in it to slip over your head.  Somewhat hesitant, I asked, “What exactly is this for?” (Simpleton, what do you think it’s for? It has a hole for your head and it’s covered in dried blood, and EVERY other person in the theater is wearing one. Oh, and then there is the sign before you enter saying you might get hit with flying fluids. OH! Then there’s that mention about the ponchos and flying blood in every piece of press that was out there! We’re not exactly known for being subtle.)  The reply I was given was, “There are liquids involved in the show and you can use it to keep dry so you don’t get anything on you.” (Doesn’t sound concise enough to be an exact quote that myself or Kevin would say, but it gets the idea across that you may be hit with stuff.)  I proceeded to my seat which was in the very back row, closest to the door, probably one of the “safest” seats in the house (Had he been skilled in the art of deductive reasoning, the blood splatters on the back wall of the theater would have hinted otherwise.) and after a couple minutes of thinking about the fact that I was wearing brand new white shorts and was potentially going to get liquid squirted at me, I went back to the ticket guys and asked, “So just to clarify, what sort of liquids are involved here.  I just want to make sure my clothes aren’t going to get stained or anything.” (We are a HORROR company. TAKE ONE GUESS WHAT KIND OF FLUID IT’S GONNA BE!)  The assuring reply I received as a response to that direct question was, “Oh don’t worry, it’s clear…like water.  It won’t stain.” (I guarantee that was not the reply. It’s fake blood, which is fluid like water, but not clear. I know, I’ve worked with a lot of it. That being said, it’s very expensive fake blood that is washable, which is why we use it.)
If I would have been told the truth at that point that, “It is a red liquid that is supposed to represent (We’re too shallow to “represent” things in our shows. It IS blood .) blood in the show and it may stain” I would have left right there. (Apparently, context clues aren’t this guy’s strength.)  I would have foregone the $12.50 I paid for the ticket and I would have just left as I happened to be wearing new shorts that I was planning to wear to Rehoboth Beach this weekend (Anything for Rehoboth Beach.).  And I was going to see a 10pm production and then go out for drinks afterwards.
The response I was given was a straight out lie (This man has a selective memory. An attractive quality after a regrettable night on the shores of the Rehobs, maybe. For a written complaint, not so much.).  It was a red liquid (I say Holmes, it’s blood!) of some sort (Ben Nye “Zesty Mint” Brand Stage Blood), not a clear liquid, and the truth of the matter is that it does stain and did stain my shorts.
(PSSSSSSSST, POSSIBLE FORESHADDOWING!)
I met friends after the show and when I approached them they both asked me, “What’s all over your shorts?” (I hope it was in unison with hands upon cheeks.)  I replied, “I guess I didn’t read the fine print (Or the sign, or the reviews, or the show description, or listen to the guys at the door, or look at the ponchos that the guys at the door gave you, or the walls of the theater or the other people in the theater.) that whatever clothes I was wearing would be ruined by fake blood in the show I just saw.” (You damn dirty apes!)  I received an “Oh that’s fucked up!” and a “Do you think it’ll come out?” (What did our hero say?)  I replied, “Yes it is fucked up.  And I’m telling myself it will come out so I’m not pissed off just yet.” (Our hero is the picture of poise and restraint.)
I am leaving for Rehoboth Beach in about 7 hours and I am just finally going to bed after attempting to let these shorts soak in cold water, squirting them with (Some sort of soapy, liquidy, laundry-type fluid) Wisk Away stain removing liquid and letting it penetrate the fabric for a while, and then washing them for a full cycle. (I hope I get to the point in my life when things are so stress-free that it will take something as ridiculous as a pair of shorts to keep me up for hours at night. By the way, thanks for the play-by-play of how laundry is done. Madden better watch his back.) The result:  The shorts are ruined.  (That’s funny, because we throw all of our costumes into one laundry load on regular cold cycle. Many of our costumes are lightly colored–white even!–because it shows the blood better. We never had to replace a single costume piece and it came out every night, and we were literally rolling in pools of it onstage.) They are overtly stained with pink splashes all over the front and wearing them would make me look like I was either a man on his period (Which this dude sounds like anyway.) or food stains all over the front of himself.  Not exactly the look I’m going for. (I wonder if he managed to find something… no, ANYTHING else to cover his naughty bits for the trip, or if these shorts were the fatal iceberg to his Rehoboth Titanic? I assure you, this question did not keep me up till 4AM.)
Now again, I’m telling myself, “Get over it.  It’s a pair of shorts. (In the future, listen to those inner thoughts… or learn how to wash a pair of shorts.) This really doesn’t matter in the scheme of life. (See previous editorial comment.) There are bigger fish to fry, etc etc.” (Ibid.)  But you know what…I don’t think I should just cut my losses and move on. (If you had, this wouldn’t be on the Internet now.) The truth of the matter is that nowhere in the advertisement for this show was there any warning that they were going to be squirting fake blood into the audience and that it may stain clothing (Aside from the blood on the poster and all of the other evidence previously mentioned.).  And when I flat out asked the ticket guys about it after being handed a piece of plastic to protect myself, one of the guys was actually in the production and clearly knew very well it wasn’t a clear liquid, (That would be me, a guy who had his white shirt soaked in blood every night, waited a few hours before tossing it in the wash with all the other gore soaked vestments, and found it none the worse for wear the next day.) I was given a flat out lie as a response.  Had a warning been in the production description somewhere, I still would have gone to the show, but I would have worn a grubby dark shirt and an old grubby pair of shorts that I don’t care about getting stained.  I clearly would not have worn a new pair of white shorts. (I wonder if he plans ahead this hard before eating Spaghetti O’s? Why buy a pair of white shorts anyways unless you live in Miami and it’s the 1980’s and you simultaneously have a sweater tied around your neck?)
So yeah, I’m wondering what you would do in this situation if you wore new clothes to a play and they were stained by fake blood that you didn’t know was going to be a part of a production, after you specifically asked about and were told it would be ok because the liquid was clear and would not stain? (I wonder if this horribly written sentence was unintentional, or if he was trying to convey distress through bad sentence structure? Shakespeare was known to do that by using irregular iambic pentameter.)  Am I supposed to politely explain things, at the same time trying not to rant and rave (Too late.) and demand that I get reimbursed $39.99 to cover the cost of the shorts (I’m sure American Eagle will be having an end of season sale real, real soon!)?  I’m sort of leaning towards that option right now. (Good luck.) Do I chalk it up and say, “Oh well.  I just bought those shorts and wore them 3 times and now they are ruined.  So what if they lied to me and as a result, my shorts are ruined.  I’ll just throw away that $39.99 and call it a day.  As long as those crazy kids enjoyed splashing blood all over the audience (We do.), that’s what counts (It does.).”  I can tell you that I’m really not leaning towards that option. (Ever hear of Sisyphus?) Please let me know what you think might be a fair middle ground in this situation.
Thanks for hearing me out and I look forward to a response.
–He who will not be named for his sake.
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Needless to say, there was no response from us but this blog post. In the future, a word to the wise (or at least those who need things spelled out word-for-word)…
“Yes, blood might go in the audience.”
“Yes, you should take a poncho. Look at the current, blood-spattered state of the poncho. For shows that don’t need them, we don’t give them. They are a hassle for us. We need to answer these questions about them and none of us are super great with people. For the love of everything that is holy to you, take the poncho… unless you’re really cool.”
“Yes, it washes out, unless you don’t know how to wash your damn clothes.”
“Yes, we care about our audience members and we hope you have a kick-ass time. We hope we see you again. Maybe you’ll even donate vast sums of money to us so we can cover even more people with blood and force them to create new and groundbreaking beach ensembles. Donations are tax deductable. However, if you’re an idiot and send us something like this… ‘SUCK IT WIMP!’”

Druid presents The Cripple of Inishmaan by Martin McDonagh - Kennedy Center Feb 8-12



Famed Irish theater company DRUID and New York's Atlantic Theatre present The Cripple of Inishmaan, written by Academy Award winner Martin McDonagh and directed by Tony Award winner Garry Hynes, the first woman to win a Tony Award for Best Direction. Set in rural Ireland in 1934, this dark comedy depicts the impact that a Hollywood film crew has over the local residents when it shows up to document the tiny island of Inishmore. When a young, orphaned "cripple" named Billy Claven is selected for a part in the film, his dreams of escape take flight.

McDonagh's plays are usually hilarious, violent, and bizarre--often described as classical Irish theater as updated by Quentin Tarrantino. He wrote and directed the great, underrated Colin Farrell vehicle, In Bruges.

One of Bernard's Best Bets for Spring 2011 theater.